With my project moving away from object-ness and more into the realms of knowledge and language, Maiko kindly arranged for me to have a tutorial with Susan, the director for Camberwell’s Book Arts MA course. It was a fascinating conversation and a different perspective on what I have been doing. We had a good chat about my still-too-large scope and where I am stuck, and my dichotomy between an interest in place / nature and place / language. Some good references and places to visit added to the to-do-list.
I showed Susan some of my latest experiments, and she was very interested in the Starfield piece – the only one I have so far I felt has that something. She noted the moving away from the stitched quilt into something more communicative of my concepts. We discussed that after Starfield, I went down the road of experimenting with natural dyeing ‘of place’; Susan commented that this has been done a thousand times over, and isn’t it a little safe? (Yes). Have my new experiments now lost the magic of that first piece? (Yes). We discussed the impact the written mathematical language has as an integral part of the piece, part of the materiality of the whole object. She said not to be frightened of tapping into my physics knowledge, this is the uniqueness of it – looking at place at a whole different scale – the cosmological place which humanity inhabits. Also a clear message that unit 1 is there to take risks – so go for it!
My learning from this week:
– nature and man all co-exist, so don’t get obsessed with “natural” fibres, look instead at the material properties I want to express
– materiality can be expressed in many forms, including the texture of the page and the quality of the drawn line, it’s not the preserve of 3D objects!
– I described my current practice as drawing, so far I quite like that as a description. Do some more reading to see how contemporary drawing is seen by the wider art world.
– stop being so afraid of venturing down the road into mathematical / scientific concepts.
So having decided it was time to re-evaluate what experiments to do next anyway (see last post), I think it is about time to start taking some bigger risks and steps forward.
Think bigger. I am making art to engage with more people than just me. I can now answer Maiko that I am not interested in exploring ideas around defining my identity though place – I don’t just want to look at difference, I want to look at shared experiences. I could look at place its most grandest incarnation – how we make sense of our place in the vast unknowable depths of the universe? Moving past the awe and mystery into tangible, physical understanding.
This is looming on the horizon and I have decided my current working essay concept is now out-of-date, firmly supporting research on place purely through experiments with nature materials. TIME TO MOVE ON! I’ve spent this week putting together some new ideas of what research could help me answer my unanswered questions….
….how can an artwork embody both personal experience and collective understanding?
….what works using ideas from mathematics / physics has actually been successful both visually and conceptually?
I think it is time to return to the original ideas behind Starfield and take them in a different direction.