Walking, collecting, making
Sometimes serendipity smiles on you, and three weeks ago I was offered a last-minute spot on a full-a-year-in-advance course being led by one of my project’s main reference artists: Alice Fox. The activities began today!
I wanted to go on this primarily to experience first hand the methodology of someone who can so successfully capture the essence of a place into her work, using walking as a key part of her practice. She also is a big user of natural mark-making and dyeing processes so should be able to teach me a few new tricks to add to the box.
As an aside….I am aware my MA proposal is still in flux between three different angles on our sense of place: (1) psychogegraphy / making through walking, (2) culture v nature / wildness and (3) potentially bringing in elements of humanity’s cosmological sense of place. This week’s course is playing into the hands of the first two – but I’m not going to worry about aligning anything for now – I’m just learning and enjoying the process, and intend to make what feels right for the materials we use this week….
So! Today we started with an overview of Alice’s methodology and the principles behind the course. She talked though some of the context around walking and collecting – as a method for recording experience of place / landscape. This record can be through objects, images, words and thoughts which captures a snapshot of a particular place and time. Alice also had some very interesting thoughts on using found objects (directly or for mark-making), in that she seeks to explore the potential of materials have been found, to see how far they can be pushed. This is one of the things I’ve not succeeded fully with yet on my project….
First up today we went on our first short walk around the studio, recording in whatever way we were inspired to. This was the most curious photo of my journey:
and a shot of all of the sketches, words and objects I brought back:
We spent the rest of the day experimenting with two different processes. First up was rust printing on paper and fabric strips. Having done a lot of rust dyeing recently looking at texture, I thought I would do something different by focussing on the quality and pattern of the marks – hoping for some clear distinct lines. We just used tea as an activator and will need to wait a day or so to see how they turn out.
Second up was eco-printing using a process of India Flint (I have her book!), which I haven’t tried before. This involved gathering a whole host of different leaves and botanical oddities, wrapping and steaming in order to transfer the whole mark onto the substrate. Again an opportunity for clarity of mark as well as just transfer of colour. These also have to dry out fully before we can look at them – maybe tomorrow or the next day!
So far, very enjoyable and Alice is a great teacher (plus we had cake). Getting some interesting whirring in my brain about my project – letting them swirl by themselves for now.
Let’s see what tomorrow brings!