Time is running short and I need to start formulating a plan for the final show. There is still a little time to test – and the faster we have a plan, the faster we can begin testing each element.
Let’s begin with a re-statement of my final project proposal:
I am investigating the concept of self by examining the subjective reality we construct as we experience the world. By unravelling our sense of self as strands of multiple co-exisiting identities, I am looking at how these strands are built from places which become part of us through our lives. Shadows of real and imagined places embed themselves into the self, an interconnection of experience, memory and fiction. These shadows haunt us as we pass through the spaces of the world, generates belonging, displacement, familiarity or isolation.
My project is based upon the process of weaving, as it echoes my ideas of universality and locality: a single cloth constructed from countless individual strands. Within the fibres, I am seeking an expression of the complexity of our existence. Fragments of past, present and future co-existing for a fleeting moment, never to reform. I am interested in bringing in my poetry and asemic calligraphy work into my fibre work – combining the the abstract and conceptual influences with the physical, viscerality of making. As of yet, I don’t know how I’m doing this…but let’s see if I can update this paragraph in a few months time!
To experimentation then….
Well, I started by going back to weaving paper yarns, and looking to see if I could incorporate marks onto the woven cloth. This piece was tested by painting the warp with my calligraphy ink.
Then I followed this will another experiment using raw silk yarn and playing a little with the tension of the loom, seeing what changes in texture this would make by itself, without needing to paint over any marks in ink:
So far the paper is winning!