An unexpected find while searching for something completely unrelated, is the weaving artist Joell Baxter. Her practice combines screen printing, weaving and colour theory in an exploration of visual perception and physical response. The placement of her multi-coloured, paper weaving sculptures evokes minimalist sculpture and interior design staples like carpets and pillows (and occasionally chairs too). Although her work is quite fine art-y (especially in the way she is inspired by the interplay of colours) but it is also very familiar and evocative of textile work. This cross-disciplinary approach inspired me as it is fascinating to see weaving linked so closely with painting and fine art instead of any formal links to contemporary basketry. Particularly while I am still searching for my own ‘label’.
In her words she describes: “I have always made work that sits between disciplines and actively engages the viewer in different modes of looking. All of my work strongly references minimalism, in terms of its approach to space and to creating a one-on-one relationship between the viewer and the work. I use very basic processes and forms that are reminiscent of grade school arts and crafts projects like weaving potholders. I want to evoke an immediate sense of familiarity, almost a muscle memory of how the work was made. But after that initial response, I hope that what at first seemed familiar becomes strange and more complex.”
“In planning my work, everything is extremely orderly and can be diagrammed as a set of instructions. I typically use colors in the order of the visible spectrum, so red follows orange follows yellow, and so on. But by weaving these colors together, they start to interact and become harder to name and distinguish. This is due to the inherent nature of weaving, where color relationships are constantly alternating through the pattern of over and under. So there is a kind of glitch introduced into the plans, forcing me to let go of absolute control over the results.”