I’ve been looking back at some of the calligraphers who inspire me to see what I can learn from their ways of working and use of materials. The first one who came to the top was Yukimi Annand. She works on a mixture of traditional calligraphy, textural art and books; her works are often clearly based on the shapes of the Roman hand and various mark making and textures from the natural world. Her current work is starting to look at eastern calligraphic techniques and abstract expressionism. I like best the pieces which have a stillness to them, yet still capture the vibrancy of her expressions. As I am still so focused on asemic writing, I’m not that bothered by the ones which you can read…
I really like her book works, which combine a series of drawings into a beautifully bound narrative. This is definitely something I would like to work towards creating with some resolved work and/or a series of experiments.
Yukimi also runs workshops regularly, sadly only in the US (as far as I can see, no visits to London). This extract came from a blog on one of her classes on exercises for the students. A great idea which I think I will do as a practice:
“Yukimi had us put random marks or text on black Arches cover stock using a small squeeze bottle filled with Golden white acrylic paint with fine metal tips. We used a 3” wide piece of balsa wood to make patterns using sumi ink on inexpensive hanshi rice paper. These were left to dry overnight and then sealed together with diluted Golden brand matte medium, which resulted in wonderful patterns and shades of gray. These were turned into little 2”X2” masterpieces attached to cards.”