Tag Archives: asemic writing

Playing with asemics

I have been slowly working on another piece of map weaving, based on experiments I did last February. 12 months ago already! I started in the new year, and have been struggling to get motivated to get it finished – it is a meticulous and laborious process of cutting, twisting and twining. Right now I am not enjoying the process as much as I did last summer – it’s just not speaking to where I am right now. What I keep coming back to instead are two older drawing themes: 1) working with stream of consciousness poetry and asemic text and 2) the ideas of anachronism (feeling out of place). I start drawing to warm up the creative juices and don’t ever get around to doing the weaving.

One of the key things my MA study showed me is that I believe art must come from your self, not your head. I’m not going to spend time developing something ‘just because it might sell’. I don’t need to get money from my art (I am going back to work in an office). Instead, I want to freedom to express the things I want to in the way that I want to. At the moment, this is through pen and ink.

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My current fixation is back on playing with layering of fragments of poetry, using a range of different media to experiment with the textures and quality of the pigment.

I would like to turn these experiments into a series of different textures expressing different aspects of my poetry. Should I use of specific poem, or just the fragments which resonate at the time? I’ve never worked on properly resolving a drawing project before, so this will be an interesting adventure.

I’m also working on a sketchbook writings project – looking at creating a stream of consciousness piece every day (or at least most days….), playing with the expression of mood through the calligraphic form. Yesterday’s poem was a bit like the weather:

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It’s nice to be back at the drawing table.

Mapping identity

Mulling in the post-Christmas haze this week, and having found some quiet time at my drawing table I decided to do some more experiments with ink and water and my stream of consciousness poetry.

I am still looking to my MA project inspiration for the backdrop for the work (in context if not yet in process/material), so ideas around questioning identity and place, a sense of anachronism, loss and isolation. Overlaying different versions of ourselves again and again as each moment creates a new sense of self – infinitesimal changes which mean we are never the same again.

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More experimental calligraphy

I cannot deny that I am a lover of words. I have worked with stream of consciousness poetry in my personal art journalling and calligraphy for many years. I haven’t found any way to get this into my work for my MA. I realise now how critical this is to my future practice – so want to start looking into how i can explore bringing the ‘two sides’ of my work together.

Today, I went back into expressive mark making mode and did some experimental ink drawings, using my lettering as a textural backdrop.

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