I have been slowly working on another piece of map weaving, based on experiments I did last February. 12 months ago already! I started in the new year, and have been struggling to get motivated to get it finished – it is a meticulous and laborious process of cutting, twisting and twining. Right now I am not enjoying the process as much as I did last summer – it’s just not speaking to where I am right now. What I keep coming back to instead are two older drawing themes: 1) working with stream of consciousness poetry and asemic text and 2) the ideas of anachronism (feeling out of place). I start drawing to warm up the creative juices and don’t ever get around to doing the weaving.
One of the key things my MA study showed me is that I believe art must come from your self, not your head. I’m not going to spend time developing something ‘just because it might sell’. I don’t need to get money from my art (I am going back to work in an office). Instead, I want to freedom to express the things I want to in the way that I want to. At the moment, this is through pen and ink.
My current fixation is back on playing with layering of fragments of poetry, using a range of different media to experiment with the textures and quality of the pigment.
I would like to turn these experiments into a series of different textures expressing different aspects of my poetry. Should I use of specific poem, or just the fragments which resonate at the time? I’ve never worked on properly resolving a drawing project before, so this will be an interesting adventure.
I’m also working on a sketchbook writings project – looking at creating a stream of consciousness piece every day (or at least most days….), playing with the expression of mood through the calligraphic form. Yesterday’s poem was a bit like the weather:
It’s nice to be back at the drawing table.