Tag Archives: handwriting

Playing with asemics

I have been slowly working on another piece of map weaving, based on experiments I did last February. 12 months ago already! I started in the new year, and have been struggling to get motivated to get it finished – it is a meticulous and laborious process of cutting, twisting and twining. Right now I am not enjoying the process as much as I did last summer – it’s just not speaking to where I am right now. What I keep coming back to instead are two older drawing themes: 1) working with stream of consciousness poetry and asemic text and 2) the ideas of anachronism (feeling out of place). I start drawing to warm up the creative juices and don’t ever get around to doing the weaving.

One of the key things my MA study showed me is that I believe art must come from your self, not your head. I’m not going to spend time developing something ‘just because it might sell’. I don’t need to get money from my art (I am going back to work in an office). Instead, I want to freedom to express the things I want to in the way that I want to. At the moment, this is through pen and ink.

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My current fixation is back on playing with layering of fragments of poetry, using a range of different media to experiment with the textures and quality of the pigment.

I would like to turn these experiments into a series of different textures expressing different aspects of my poetry. Should I use of specific poem, or just the fragments which resonate at the time? I’ve never worked on properly resolving a drawing project before, so this will be an interesting adventure.

I’m also working on a sketchbook writings project – looking at creating a stream of consciousness piece every day (or at least most days….), playing with the expression of mood through the calligraphic form. Yesterday’s poem was a bit like the weather:

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It’s nice to be back at the drawing table.

An encounter with myself

I have spent much of the last year (since before the Unit 1 assessment) tackling the challenge of how to include my interest in working with text/words into my practice. I realise now that if I am to be realistic, the real core of my “practice” has always been the words – the stuff in my sketchbooks are so often poems or calligraphic drawings, the expressionism. This is after all even what my last few art quilts were about. I have perhaps been trying to overlay some ability to work in 3D or objects, without really comprehending what the foundations of my own work were.

So if we look a the picture the other way around…if the words are the core thing, how then can other material or 3d design help express my concept?

I have been looking at the construction of a place identity, trying to express a sort of visual poem as a manifest object. My plan for the installation is to make it a real, immersive space which overlays a physical form of personal experience combined with a seemingly endless stream of consciousness poetry – offering a manifestation of my personal conception of my sense of self.

The key material for my piece is then really the words themselves – using the materiality of the physical act of handwriting, the work becomes both a visual poem and calligraphic record.  Handwriting is a raw, immediate and visceral expression of your core identity – something which is original and unique to yourself.

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