After my last post, I had a nice chat with the lovely Bridget and tested my provisional show plan with her. Her reaction was good (apparently my ideas have much more me-ness in it). She noted the ethereality apparent within both the paper weaving samples and my latest calligraphic poems. [I don’t think I have talked about these on the blog yet – so as a quick summary, I have started looking at my ‘place identity’ using my asemic, consciousness poetry – calligraphy on top of monoprinting]
So after meeting with Bridget, I’ve been making more weaving samples, experimenting with different ways of mark-making using the weave. I’d like to incorporate my story physically into the weave (as opposed as to just writing on top of it).
The latest samples:
I love the effects with the colour pieces, and am less convinced by literally weaving in the words. Not sure this looks great and it is just too……well, too readable perhaps? I tried different warp dyeing experiment following on from this, which turned into a horrible mess. I then decided to follow this with baking a batch of chocolate muffins (after giving away 16 cakes yesterday), only for this to result in a horrible mess too and end up in the kitchen bin. Urg.
Some days go like this I suppose!
Something different then, and instead of making, I’m thinking about form instead. What object am I creating with all of these weaves? Something wistful and ethereal with fragments of words and poetry drifting into and out of focus at certain points? Oooh, I like the sound of that [blogging is a great way to empty the mind, instead of just talking to yourself]. I have been wondering about the forms I made in Unit 1 – looking back to pieces such as desire line from last September. Can I do basketry with pieces of weaving, would this be some sort of meta-weave? This is conceptually very attractive.
Initial 3-fold and 5-fold paper maquettes and a quick material test with the samples I’ve got so far. I think I may need to find a form that is a little more open.