The last piece of written work needed to go in this week too – a critical evaluation of all of our reflection over the course of the MA. It really hits home that this is all nearly over now, and time to move onwards and upwards hopefully! We were asked to put forward a statement of our current practice – a design principle or artists’ statement for us as we move on. This was a rather pleasant task to write I thought. So here we are:
My work explores our concepts of self, by looking for our encounters with ourselves as we travel through life, where we can glimpse some fragment of truth about who we are. By unravelling our sense of self as strands of multiple co-existing identities, we can see how these strands are built from places which become part of us through our lives. Shadows of real and imagined places embed themselves into the self, an interconnection of experience, memory and fiction. These shadows haunt us as we pass through the spaces of the world, generating belonging, displacement, familiarity or isolation. My practice is based upon exploring these shadows, searching for a sense of belonging which cannot be found. When so much of our individual experiences of people and places are filtered through our cultural psychology, what happens when you have no place you feel is home?
At its root, my work is a conversation between language and memory. These are the tools which facilitate the relationship between our internal and external worlds – the bridge between the physical world and our world of personal experience. Language allows us to communicate with each other, to talk to ourselves, and to identify ourselves. I engage with the language of poetry as a way to access the communication of our inner self, both as a raw, immediate art form in itself, as well as exploring the possibilities of the visual poem through the materiality of ink, paper and fibres.
Many of the processes I use in my work are based on the creation of structure through transformation, layering and repetition. My interests are now aligned to my methods: using a material which is conceptually elegant to make a constructed material which encapsulates both its own inherent narrative as well as my own. I have combined the use of this material language with a working process which allows the fibres space to demonstrate their properties. Installation as an immersive experience is a natural expression of a concept based around ideas of personal place.