I’ve been testing out the method for properly preparing my dried white willow and seeing how well I can manipulate it – initially using the same pattern as I did for the last ‘desire line’ experiment. It has taken a few attempts to test the soaking and mellowing times, and I’m still not able to get the simple weaves done without some stems breaking. Not sure what (whether my skills or the dryness of the wood) is causing this yet. It is also really hard to get the new weavers in neatly unlike the invisible joining you can achieve with straw.
Some pics of the latest tests are below – you can see clearly where some of the weavers have snapped mid-bend.
My initial reaction is mixed: firstly, I really like working with the willow. There is something mysterious and elegant about it as a wood which I really enjoy. However, with the spiral braiding, I am really not sure what this offers that the wheat straw doesn’t already. I wonder if doing a modern corn dolly plait works better for me with the corn itself. This said, I will continue to try some different forms using the willow. Perhaps something more suited to it as a material. Also, I have a whole bundle of steamed willow as well, so that’s something else to have a look at too.
This all brings me back to my current ‘challenge’ which is to try to understand other sources of inspiration for forms. I did try something based on a new idea which has been floating about my head, that of interlocking identities through interlocking repeated forms. This was an initial 3d sketch (for lack of a better description). Is there something to work with here?